Theora Jones first appeared in the British-made television pilot film for the series. While he occasionally played a significant part in a plot-sometimes by traveling through networks to gain information or by revealing secrets about Carter that Carter himself would not divulge-his most frequent role was as comic relief, delivering brief quips in reaction to certain events or giving a humorous soliloquy at the end of an episode.

While Carter is a dedicated professional, Max is a wisecracking observer of human contradictions.ĭespite being the titular character, Max sparsely appeared on the show. headroom' on a parking garage gate, these were the reconstruction's first words and ultimately his name. Since Carter's last sight before the motorcycle crash was the sign 'Max. He appears as a computer-rendered bust of Carter superimposed on a wire-frame background. Max Headroom (Frewer) is a computer reconstruction of Carter, created after Bryce Lynch uploaded a copy of his mind. Edison was sent on a near-rampage to avenge a former colleague, who died as a result of a story on dream-harvesting.Įdison cares about his co-workers, especially Theora Jones and Bryce Lynch, and he has a deep respect for his producer, Murray (although he rarely shows it). He met a female televangelist (whom he had dated in college) when his reporting put him at odds with the Vu Age Church that she now headed. The series depicted very little of the past described by Edison. Eventually, one of these instances required him to flee his workspace, upon which he was injured in a motorcycle accident in a parking lot. The only real check on the power of the networks is Edison Carter, a crusading investigative journalist who regularly exposes the unethical practices of his own employer, and the team of allies both inside and outside the system who assist him in getting his reports to air and protecting him from the forces that wish to silence or kill him.Ĭharacters Edison Carter Įdison Carter ( Matt Frewer) is a hard-hitting reporter for Network 23, who sometimes uncovered things that his superiors in the network would have preferred be kept private. Almost all non-television technology has been discontinued or destroyed. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws-such as banning 'off' switches on televisions-that protect and consolidate the networks' power.

In the future, an oligarchy of television networks rules the world. The story is based on the Channel 4 British TV film produced by Chrysalis, Max Headroom: 20 Minutes into the Future. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. Max Headroom is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988.

Max headroom incident w